#Definicion de efectos sonoros archive#

#Definicion de efectos sonoros archive#

According to Ávila Araujo (2013), during the 1970s the archive began to broaden in scope to include, for example, administrative, business and private files, and documents arising from new fields, such as sound recordings and microfilm. Rousseau and Couture (1994) assert that the 1960s and 1970s constitute the period when archivists took a genuine interest in non-textual documents. Dayli's initial analysis published in 1967, established the idea that sound recordings were a distinct medium and therefore required special treatment, distinct from that afforded books. He opined that these rules were insufficient for cataloguing sound documents.

To this end, he developed a criticism of the Anglo-American Cataloging Rules. Dayli (1967) showed that audio recordings require new approaches in terms of pro-Ĭessing, storage and cataloging. With the advent of sound recording technology, special catalogues of audio documents were implemented in libraries. In the opinion of Jean Weihs (2001), audio documents began to become ever more visible in the 1950s and 1960s in the United States and Canada. Libraries only began to collect and classify audio documents in the twentieth century (Wright, 2012). This is understandable in light of the fact that sound recording is much newer than the print technology that underpins the collections of museums and libraries. Such recordings were defined as non-library documents. Palabras clave: Archivos sonoros Preservación Preservación digital Preservación digital sonora Digitalización Documentos sonoros.įor many years sound recordings have been a province separate from text documents. Hasta ahora, la transferencia de contenidos analógicos a plataformas digitales (digitalización) es la única forma de garantizar la existencia del patrimonio sonoro por ello la preservación digital de archivos sonoros constituye una forma de salvaguarda a largo plazo que ha modificado los métodos de preservación de documentos sonoros en soportes analógicos. La preservación de los archivos sonoros está en un punto crítico de su historia debido a que día a día desaparecen miles de documentos sonoros como consecuencia del deterioro y la fragilidad de los soportes en que han sido grabados, así como por la obsolescencia de los equipos de grabación y reproducción analógica. Keywords: Sound Archives Preservation Digital Preservation Digital Sound Preservation Digitizing Sound Documents. Instituto de Investigaciones Bibliotecológicas y de la Información de la UNAM, México. Therefore, the preservation of digital audio files constitutes a long-term safeguard that will eventually replace analogue backup methods used to preserve the world's audio heritage. Currently, the transfer of analogue content to digital platforms is the only way to guarantee the survival of sound heritage. Recording supports, and the obsolescence of analogue recording and playback equipment, the preservation of the sound archives is at a critical point in its history. ery day as a result of the fragility and deterioration of Digital preservation of sound recordingsĪccepted on:ěecause thousands of sounds documents are lost ev-Īpril 9,2014.